The main press: one die text, held across a whole mint run. Standard frames at 6 credits, premium reserved for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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Every mint run in this workshop starts at the same bench: a fictional adult woman, described once and described well. The standard model strikes a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the pieces that will front a pack or anchor a profile. Between those two prices sits the whole craft of the generator, and it is an engraver’s craft: the character’s description is her die text, and a die is never re-cut from memory halfway through a run.
Cut the die text with five fixed lines, always in the same order: her age as a plain number, 25 or over; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the beauty mark, the small stud, the clip she never removes — that lets a viewer recognise her even in a tight crop. Paste that die text, word for word, at the head of every prompt. Beneath it, a single strike line carries what changes: the outfit, the room, the hour, the light. Hold the die steady and the run holds together across weeks of striking; let it drift and no model setting will press the same woman twice.
Concrete lines survive the press. “Long honey-blonde hair in a loose French braid over one shoulder” strikes the same woman at every bench; “gorgeous hair” is a mood, and moods are reinterpreted at every generation.
Press a set in one setting under one light, then move the run onward. A series is built from deliberate single changes, not from re-rolling a prompt and hoping the same face comes off the press.
Strike generously at the standard price, then cull hard. Edits, swaps and upscales are finishing prices — spend them only on pieces that survived the cull.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The frame at the front of a pack, struck to the same measure as the run inside it.
Stills composed with room to move — space around the subject, a direction left open — ready for the rolling bench.
“Fictional 35-year-old woman, long honey-blonde hair in a loose French braid over one shoulder with sun-lightened strands loose at the temples, warm olive skin, defined brows, a tiny amber stud in her right ear; sunset-orange satin balconette lingerie set with cream lace trim and a sheer ivory robe slipped off one shoulder, standing in a sunlit cream-plaster mint workshop, a brass screw press and a wooden workbench behind her, warm sunset light through an arched window, editorial photograph.”
Everything before the semicolon is the die text — it never changes. The strike after it is the only variable pressed into this frame.
“Fictional 35-year-old woman, long honey-blonde hair in a loose French braid over one shoulder with sun-lightened strands loose at the temples, warm olive skin, defined brows, a tiny amber stud in her right ear; the same sunset-orange satin set, standing against a plain cream studio wall, one shaft of evening light from the left, editorial photograph.”
A bare strike is the honest test of a die. If she is still herself against a blank wall, the engraving is sound and the run can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Price | 6 credits | 41 credits |
| Kept for | Series work, daily strikes, volume | Covers, hero frames, the one image everyone sees first |
| Method | Strike many, keep few | Brief slowly, strike few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between strikes | The die text was rewritten from memory | Paste the same die text every time; vary only the strike line |
| The frame feels like a cluttered bench | Too many objects and actions in one brief | One place, one action, one light source per piece |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the price for one standard frame. That is one fresh strike from the press every day, for as long as you keep checking in. Credit packs are there for the days when the mint run runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily strikes.
Cut her die text once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the strike line below it.
No. Frames rest private in your account like pieces in a closed tray. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination demands more, the image upscaler at the finishing bench is the last step of the run.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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